These paintings evolved when, after a long period of other artistic
activities, I found a way of combing my need to get back to painting, with
my feelings about the environment. I feel deep anger at the current appalling
wilderness destruction and resulting species lose, which is happening across
the planet. I have been witnessing it since a child in England in the 1940s,
Malaysia in the 1950s and 70s and British Columbia since I moved here in 1969.
Destruction is everywhere.
Art making is fundamental to my being but the natural world
has always held equal or greater importance for me. It therefore felt very
good to develop a way of working that combined both these passions. Having
worked with, and taught, current art practice for many years, I found it a
surprise to be painting leaves and butterflies. It certainly required a degree
of courage to continue. However I comfort myself with the thought that progress
in art often requires moving outside of the accepted envelope.
Initially I had no intention of exhibiting these images of
imagined tropical plants and endangered insects as they were purely personal,
though symbolic, renderings of just a few examples of the millions of animals
and plants that, I believe, should be valued and protected in the natural world.
I realize though, that with an issue as critical as this, it is important that
I try to get these paintings seen.
I have come to think of this work as analogous to the paintings
of our cave- dwelling ancestors. It is thought that they painted the wild horses
and other Paleolithic animals as a ritualistic way of possessing those prey
animals.
Maybe I am painting these threatened life forms as an intimate
way of identifying, understanding, and preserving them, or possibly of making
them sacrosanct.
Ornithoptera Victorae
Queen Victoria’s Birdwing
These butterflies are restricted to the Solomon Islands where
there are seven subspecies most of which are named after the specific island
on which they are found. The males have oval shaped wings with the rear wings
being very elongated and wrinkled. The most similar species is the Queen Alexandria’s
Birdwing.
They fly high in the canopy, and in 1885 when a naturalist
with a Royal Navy expedition was keen to capture one, a Royal Marine shot
one down with a shotgun. That very butterfly is still part of the collection
in the Natural History Museum, London.
The males have a wingspan of up to 16 cm.
The females have a wingspan of up to 20 cm.
It is classified as indeterminate in the ‘Red Data Book
of Threatened Swallowtail Butterflies of the World’