About the Paintings
These paintings evolved when, after a long period of other artistic activities, I found a way of combing my need to get back to painting, with my feelings about the environment. I feel deep anger at the current appalling wilderness destruction and resulting species lose, which is happening across the planet. I have been witnessing it since a child in England in the 1940s, Malaysia in the 1950s and 70s and British Columbia since I moved here in 1969. Destruction is everywhere.
Art making is fundamental to my being but the natural world has always held equal or greater importance for me. It therefore felt very good to develop a way of working that combined both these passions. Having worked with, and taught, current art practice for many years, I found it a surprise to be painting leaves and butterflies. It certainly required a degree of courage to continue. However I comfort myself with the thought that progress in art often requires moving outside of the accepted envelope.
Initially I had no intention of exhibiting these images of imagined tropical plants and endangered insects as they were purely personal, though symbolic, renderings of just a few examples of the millions of animals and plants that, I believe, should be valued and protected in the natural world. I realize though, that with an issue as critical as this, it is important that I try to get these paintings seen.
I have come to think of this work as analogous to the paintings of our cave- dwelling ancestors. It is thought that they painted the wild horses and other Paleolithic animals as a ritualistic way of possessing those prey animals.
Maybe I am painting these threatened life forms as an intimate way of identifying, understanding, and preserving them, or possibly of making them sacrosanct.
This is the most widespread of the birdwings having 14 identified subspecies, which range through many different habitats. They are found in New Guinea, the islands East to the Solomons and northeast Queensland. The subspecies tend to be localized and are usually named for the island or area in which they are found. They vary in size but are nearly all green to blue green with a black bar across the forewing. Priamus Celestei is turquoise blue, but the Priamus Urvillianus from New Britain and the Solomon Islands is uniquely dark blue and black.
Priamus was fist described in 1717 although no examples were captured until 1758.
It is named after Priam, King of Troy and father of Hector, Paris and Cassandra.
The subspecies vary considerably in size:
It is classified as indeterminate in the ‘Red Data Book of Threatened Swallowtail Butterflies of the World’
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h 38.5" x w 64"